![]() Caregivers across cultures often intuitively interact with young children using “ parentese,” a speech style that captures a baby’s attention with a higher pitch, more repetition, elongated sounds, and roller-coaster variations in intonation. This musical connection begins with how we talk to little ones. But they also offer caregivers and dependents a meaningful way to communicate when speech alone is limiting. On the surface, these songs are little more than nonsense-spur-of-the-moment, creatively feral melodies that fall out of people as they interact with the small beings in their care. But people don’t just serenade their babies pets or even plants might also become unsuspecting audiences. Singing made-up songs can be an active and rich part of home life, and one common starting point is the inception of parenthood. Now his original tunes provide a soundtrack to many aspects of domestic life: “Sleepy Boy” for nap time, “Get You Clean” for washing up, and the always relevant “Mr. It was in the newborn intensive-care unit, while marveling at the baby’s small hands, that Lubin started singing: “Tiny fingers and tiny toes / Oh, Curio, we love you so.” These lyrics-unrehearsed, sweet, sincere-became the start of a new dad’s musical awakening. “I remember just being overwhelmed with love for him and also just the sense that he seems so fragile,” Lubin said. Seeing his son, Curio, for the first time changed everything. “Singing wasn’t something I sought out or particularly found a lot of joy in,” Lubin told me. At his wife’s request, he would perform the kiddush, a Jewish prayer sung each week during Shabbat, but that was it. The 35-year-old game designer from San Francisco never used to sing, not even in the shower or alone in the car. Randy Lubin recalls the exact moment his life became an improvised musical.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |